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	<title>MLYON.com &#187; Tom Piche</title>
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		<title>Daum Museum &#8211; Virtual Media: Computer-aided Art from the Collection</title>
		<link>http://mlyon.com/2010/06/daum-museum-virtual-media-computer-aided-art-from-the-collection/</link>
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		<pubDate>Sat, 26 Jun 2010 14:09:13 +0000</pubDate>
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				<category><![CDATA[Exhibitions]]></category>
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		<category><![CDATA[Computer Aided Art]]></category>
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		<category><![CDATA[Daum Museum]]></category>
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		<category><![CDATA[John Hansen]]></category>
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		<description><![CDATA[Daum exhibit shows the computer&#8217;s versatile role in modern art June 23, 2010 5:19 PM John Hansen The Sedalia Democrat An artist using a computer to create art is nothing new, yet they are always using it to push boundaries. At the Daum Museum’s “Virtual Media: Computer-aided Art from the Collection,” visitors can marvel at [...]]]></description>
			<content:encoded><![CDATA[<h1>Daum exhibit shows the  computer&#8217;s versatile role in modern art</h1>
<p>June 23, 2010 5:19 PM <strong><a href="http://www.sedaliademocrat.com/reporter-profile/john-hansen-1431">John  Hansen</a> <em>The Sedalia Democrat</em></strong></p>
<p>An artist using a computer to create art is nothing new, yet they  are always using it to push boundaries.</p>
<p>At the Daum Museum’s  “Virtual Media: Computer-aided Art from the Collection,” visitors can  marvel at pieces that were obviously made digitally and others that seem  traditional if you don’t know the story behind it. 
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			<a href="http://mlyon.com/wp-content/gallery/daum-exhibit/2010_06_daum_museum.jpg" title="Included in the Goddard Gallery's “Virtual Media: Computer-aided Art from the Collection,” are, from left, “Jon,” an ink-on-paper by Mike Lyon, and “Line Operations,” a pigment-based ink, oil and silicone on canvas by Fabian Marcaccio.
(photo: Sydney Brink / Sedalia Democrat)" class="thickbox" rel="set_156" >
				<img border='1' title="Included in the Goddard Gallery's “Virtual Media: Computer-aided Art from the Collection,” are, from left, “Jon,” an ink-on-paper by Mike Lyon, and “Line Operations,” a pigment-based ink, oil and silicone on canvas by Fabian Marcaccio.
(photo: Sydney Brink / Sedalia Democrat)" alt="Included in the Goddard Gallery's “Virtual Media: Computer-aided Art from the Collection,” are, from left, “Jon,” an ink-on-paper by Mike Lyon, and “Line Operations,” a pigment-based ink, oil and silicone on canvas by Fabian Marcaccio.
(photo: Sydney Brink / Sedalia Democrat)" src="http://mlyon.com/wp-content/gallery/daum-exhibit/thumbs/thumbs_2010_06_daum_museum.jpg" width="580" height="249" />
			</a><center>Included in the Goddard Gallery's “Virtual Media: Computer-aided Art from the Collection,” are, from left, “Jon,” an ink-on-paper by Mike Lyon, and “Line Operations,” a pigment-based ink, oil and silicone on canvas by Fabian Marcaccio.
(photo: Sydney Brink / Sedalia Democrat)</center>
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<p>“One of the  things that makes this show interesting is some pieces you look at it  and say, ‘That must’ve been made by a computer,’ but in other cases it  would not occur to you,” said Daum director Tom Piche as he gave a  visiting reporter a tour on Tuesday. “So artists have incorporated the  ability of computers just as they would a pencil, a brush or a crayon.  It’s one of many tools they use.”</p>
<p>In the art world, no one uses  the terms “computer artist” or “traditional artist,” because those are  not distinct categories.</p>
<p>“Several of the works here show that  crossover very clearly,” Piche said. “And that’s why I wanted to call  this ‘Computer-aided Art’ instead of ‘Computer Art,’ because I don’t  think we call things ‘computer art’ anymore. The computer is so  integrated into art-making that its just part of what they do.”</p>
<p>The  eight pieces in “Virtual Media,” which can be found in the Goddard  Gallery, include paintings, drawings, mixed media and even a sculpture.  One drawing was made by a computer programmed by a human. One “painting”  was created by a human using a computer and then printed with ink onto a  canvas.</p>
<p>For the sculpture, the artist used a computer program  to extract the colors in old paintings, then used those colors to make a  three-dimensional mash-up that gave an impression of those paintings.</p>
<p>Computer-aided  art has come a long way in the last 20 years. The oldest of the eight  pieces in the Daum exhibit is from 1992.</p>
<p>“The history of  computer art, of course, isn’t that long,” Piche said. “But it’s longer  than people might think. Pretty much as soon as scientists started  working with computers in the late 1950s, they began doodling with  computers. And artists began experiments with computers in the 1960s,  but it was difficult to do. You had to go someplace that had a computer,  first of all. They were large and bulky and awkward contraptions.</p>
<p>“But  with the revolution of the personal computer, a lot of artists were  keen to develop the potential of computers. Not to experiment so much,  but to make it a serious part of what they were doing.”</p>
<p>Piche  recalled his first visit to a computer art exhibit in the late 1980s. At  that time, “computer art” generally meant architectural drawings, and  little else.</p>
<p>“Artists were using it in very flat ways that we  would now consider to be kids’ stuff, because it was all so new, and  what you could do was still pretty rudimentary,” Piche said.</p>
<p>Today,  the computer is the most versatile tool in an artist’s toolbox.</p>
<p>One  of the most eye-catching pieces in “Virtual Media” is a 2009 collage by  Sedalia native Larry Thomas, who teaches at Johnson County Community  College in Kansas. It’s the visual-art equivalent to what James Cameron  did for movies with “Avatar.” “Poser’s Decoy” is on a flat canvas, but  it looks three-dimensional thanks to a variety of tricks Thomas uses.</p>
<p>“Even  though it’s a flat plain and a stretched canvas, you get the sense that  we’re looking into something that has depth,” Piche said.</p>
<p>For  more details about Thomas’ piece, see the video on the Swoop page.</p>
<p>In  addition to “Virtual Media,” Daum visitors can check out “Arboresque”  in the upstairs gallery. It’s a selection of two- and three-dimensional  works from the permanent collection centered around trees and the  natural world.</p>
<p>But, if you need more proof that computers are  now a ubiquitous art tool, one of the nature drawings was created in a  computer.</p>
<p><strong>If you go<br />
What: </strong>“Virtual Media:  Computer-aided Art from the Collection” and “Arboresque”<br />
<strong>When:</strong> Through Sept. 5<br />
<strong>Hours:</strong> 11 a.m. to 5 p.m. Tuesdays  through Fridays and 1 to 5 p.m. Saturdays and Sundays<br />
<strong>Where:</strong> Daum Museum, State Fair Community College, Sedalia<br />
<strong>Admission:</strong> Free</p>
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