Leaves — Pulling the final impression of first 77×42 inch woodcut
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This morning I pulled the final impressions of my first 77×42 inch woodblock print using my new press… Not bad for a first attempt, actually, but I believe I can greatly improve with more practice! Registration appears to be pretty close to dead-on, thanks to paper maker Iwano Ichibei’s having rocked the paper mold lengthwise [...]
Lily and Sarah (spring becomes summer)
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“Lily & Sarah (Spring Becomes Summer)”, August 17, 2004, 9 x 8 inches, woodblock print from 32 cherry plywood blocks, dry pigments in rice flour paste on Iwano Ichibei hosho, 48 sheets printed — another failed attempt to realize ‘full color’ in a woodcut.
Danielle
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“Danielle”, August 9, 2004, 22 x 8 inches, woodblock print from 16 cherry plywood blocks, dry pigment and charcoal in paste of rice starch on Iwano Ichibei hosho, 16 sheets printed.
Rod
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“Rod”, August 5, 2004, 30 x 21 inches, woodblock print from 16 cherry plywood blocks, dry pigment and neri-zumi in paste of rice starch on Iwano Ichibei hosho, 12 sheets printed.
Jessica on dark drapery
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“Jessica on dark drapery”, July 1, 2004, 10 x 15 inches, woodblock print from 16 cherry plywood blocks, dry pigment and neri-zumi in paste of rice starch on Iwano Ichibei hosho, 16 sheets printed.
Shannon and Danielle seated
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“Shannon and Danielle seated”, June 30, 2004, 15 x 10 inches, woodblock print from 24 cherry plywood blocks, dry pigment and neri-zumi in paste of rice starch on Iwano Ichibei hosho, 24 sheets printed. I love this frank image of the two girls seated on the box in my studio!
Sarah (pink robe)
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“Sarah (pink robe)”, June 29, 2004, 7 x 22 inches, woodblock print from 16 cherry plywood blocks, dry pigment and neri-zumi in paste of rice starch on Iwano Ichibei hosho, 24 sheets printed. Among my most ‘romantic’ images, this one of Sarah reclining in her pink terry-cloth robe knocks me out! Another experiment in limiting [...]



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