I also generated machine drawing toolpaths for several watery landscapes which Dolphin Printing output as archival prints.
In late May and early June I produced a 40 x 27 inch drawing in black and white ink pen on paper I’d painted gray. The drawing is of Carrie, Johanna, and Ross standing on my platform and I’ve always called it “Sniffing Armpit” because Johanna kept urging Carrie to “sniff my armpit” and Carrie, […]
In January, 2014 my then studio assistant, Carrie Riehl, walked in one morning wearing shorts (in January?) and showing off her new 2nd hand red, white, and blue leather jacket and I said, “let’s go photograph you right now!” In May I generated sixty drawing layers of red, yellow, blue, black, and white squiggles intended to produce a drawing […]
After Mom died, Dad moved back to Kansas City from Aspen where he’d lived since the late 1970’s. He invited several of his old friends to join him at my studio and then lunch at the vegan restaurant across the street, Cafe Gratitude. Morton Sosland is one of those old friends and joined us at studio […]
Hal Wert teaches History at Kansas City Art Institute. Hal was Vice President of KCAI in 1988 when students there asked me to teach them karate and self defense. I made an appointment and met Hal (he was wearing a business suit and tie). I asked whether the school would allow me to teach and […]
Carrie, Ross, and Johanna in yukata (summer kimono). Here I was playing with black and white ink over intense colors. The colors were pigment dispersions in water – the robe and body colors were brushed onto the paper register with the eventual drawing, then protected with a cut-out mylar mask while the background colors were […]
After a three-day karate special training, I asked one of my juniors, Dinh Hoang, if he would model for me. His eyes had ‘that look’ people get after hard practice, and I wanted to show that kind of metaphysical clarity. Details of completed drawing Details of work in progress
Small drawing, unusually narrative, colors just a teeny tiny bit saturated.
I painted a large sheet of heavy watercolor paper with numerous layers of red, yellow, and blue pigments in water, then drew in black and white ink. I particularly like that one hand is drawn only with black and the other only with white while the interplay of the squiggly ink hatches recreate the illusion […]
I was invited to design the covers for the July, 2013 Bohemian zine – four of the staff were kind enough to model for the cover drawing and the editor modeled for the ‘insert print’ which we folded up and saddle stitched inside as the centerfold.