“Joel” Large Scale Pen and Ink Drawing in White and Black Ink on Tinted Paper
REALLY love this one! I was tempted to title it "this is not Joe's face" after Magritte's famous not-a-pipe. In 1991 I was in Japan with a group of US, Canadian, and European karate guys led by Tsutomu Ohshima. Ohshima Sensei organized a fabulous and exhausting tour which included visits to Hiroshima, Miyajima, Kyoto -- we met and watched demonstrations by elderly masters of kyudo, judo, kendo, were wined and dined in traditional Japanese fashion, and ended in Tokyo where we participated in the 60th anniversary of the karate club at Mr. Ohshima's alma mater, Waseda University. One evening we dined at ...
Elizabeth – Six Experiments in Two-Color Drawing
[singlepic template=right id=1401 w=450]I wanted to close in on an optimal application of white ink from the new pens my stepsons Scott and Andy turned me onto at Christmas. One great characteristic of this white ink is that it is not 100% opaque. Subsequent layers of line further whiten earlier layers. This semi-opaque (or semi-transparent) quality is pretty wonderful. It now appears that the whites continue to lighten through three to five layers -- the black pens I've been using are much more saturated -- maybe a second layer darkens the first, but not by much -- but black ink ...
Danielle – developing two color drawing technique
I've mentioned before that I'm fascinated by Renaissance drawings on tinted paper with light and dark inks or chalk and charcoal. [singlepic id=1388 h=180 float=right] [singlepic id=1387 h=180 float=right] Here are some examples by Albrecht Durer painted in white and black with a brush on tinted paper: My kids know of my interest -- for Christmas Scott and Andy gave me a variety of white and silver ink-pens for my drawing experiments! What a GREAT gift! And they turned me on to JetPens.com at the same time (Japanese pens -- VAST variety OMG -- though my kids all tell me NEVER ...
Drawing in Silverpoint and Copperpoint
While I began to study fine arts at the University of Pennsylvania, I became interested in Renaissance drawing, especially silverpoint drawings by Da Vinci which were illustrated in books in the Furness Building's fine arts library. I copied many in pen and ink and although I didn't understand how they had been made, the silverpoints from the old masters were infinitely subtler and more beautiful than my pen and ink copies! [singlepic id=1378 h=220 float=right] [singlepic id=1381 h=220 float=right] Late in 2010 I came across some silverpoint supplies and from November 2010 through December 2011 I made numerous experiments drawing by machinery ...
Grass4 77 x 22 inches woodblock print from 12 blocks
October 26, 2010 I completed an edition of five of this 12-block woodcut (77 x 22 inches): [nggallery id=164]
Grass3 30 x 58 inch pen and ink drawing
Grass3 was completed in August, 2010. 30 x 58 inches it took took an inordinately long time to draw. [nggallery id=163] http://mlyon.com/wp-content/gallery/grass3/2008_08_grass3_588x400.jpg[nggallery id=163]
Grass-2 large woodblock print 22.5 x 72 inches from 16 blocks
My lawn seems a near-perfect subject for drawings and woodblock prints. Grass-1 was a drawing (not yet completed). Grass-2 is a woodblock print -- sixteen blocks cut two blocks to a sheet of 4x8 foot quarter-inch cherry plywood. Grass-3 is another drawing under construction at the moment. This format allows me to ink and print a block all from one side of my 5 x 10 foot stationary bed pinch-roller press. Images like this one lend themselves very well to my pr0cess. The staccato rhythm of the many transitions from lightest to darkest works so nicely (so long as registration ...
Chandler – 84 x 45 inches pen and ink drawing
Chandler is an old high school friend of my children. Last year I ran into Chandler and was struck by his great head and asked if he'd model for a portrait. He agreed and I phoned and emailed him more than once or twice in an effort to schedule him into my studio. He never replied and I eventually sorta gave up. I saw him again at our son Andy's wedding and, with a couple of martini's under my belt, gave him a pretty hard time about never having replied. So a few days later he called and we set ...
Drawing
“Joel” Large Scale Pen and Ink Drawing in White and Black Ink on Tinted Paper
REALLY love this one! I was tempted to title it “this is not Joe’s face”...
Elizabeth – Six Experiments in Two-Color Drawing
composite of the six variations of "Elizabeth" drawn during January, February,...
Danielle – developing two color drawing technique
I’ve mentioned before that I’m fascinated by Renaissance drawings on...
Drawing in Silverpoint and Copperpoint
While I began to study fine arts at the University of Pennsylvania, I became interested...
Grass3 30 x 58 inch pen and ink drawing
Grass3 was completed in August, 2010. 30 x 58 inches it took took an inordinately...
Woodblock
PVC Heat Shrink Baren Cover
From time to time it’s been difficult to obtain quality takenokawa (bamboo...
Grass4 77 x 22 inches woodblock print from 12 blocks
October 26, 2010 I completed an edition of five of this 12-block woodcut (77 x 22...
Grass 2.2 large woodblock print
I ran a second edition of four sheets from the sixteen blocks used in Grass 2. ...
Grass-2 large woodblock print 22.5 x 72 inches from 16 blocks
My lawn seems a near-perfect subject for drawings and woodblock prints. Grass-1...
“Sara” 42×77 inch woodcut from 17 blocks
The large (42 x 77 inch) prints of “Sara” reclining on her messy bed...
Exhibitions
Daum Museum – Virtual Media: Computer-aided Art from the Collection
Daum exhibit shows the computer’s versatile role in modern art June 23, 2010 5:19 PM John Hansen The Sedalia Democrat An artist using a computer to create art is nothing new, yet they are always using it to push boundaries. At the Daum Museum’s “Virtual Media: Computer-aided Art from the Collection,” visitors can marvel at pieces that...
Drury University: Pool Art Center Gallery Exhibit
Rebecca Miller (director of the Pool Art Center Gallery) and I first met about twenty years ago while she was a student at the Kansas City Art Institute. I was teaching karate twice a week there and she was one of my better students. During the several years she practiced with me, we became good friends and have remained in occasional touch,...
Artist’s works inspired by Japanese prints, mechanics
K-State Collegian Published: Wednesday, July 1, 2009 By Hannah Blick The emotion in Mike Lyon’s artwork is inspired by old Japanese prints. The shapes are determined by the contours of the faces of his closest friends, friendly strangers, and the outcome hinges on the mechanics of his latest digital tools. “Figuring it out: Prints and drawings by...
Road Trip to Beach Museum and Cafe Beautiful
Sandy and Christine Kemper of The Collectors Fund organized a select group to make a road trip to see my exhibition at the Beach Museum in Manhattan, Kansas and then dine together at Cafe Beautiful in Lawrence. We gathered at 1pm at the Collectors Fund offices in Kansas City, boarded our van, and started out on what turned out to be a VERY short two-hour...
Figuring it Out at the Beach Musuem of Art
Figuring it Out: Mike Lyon Drawings and Prints at the Beach Museum of Art, Manhattan, Kansas opened April 14 and runs through July 19, 2009. Exhibition CATALOG PDF download also see the Beach Museum’s web site blurb from the Beach Museum of Art web site: Figuring it Out: Prints and Drawings by Mike Lyon April 14, 2009 – July 18, 2009 Donna...


Twitter