Mike Lyon

Painting Drawing Printmaking Japanese Woodblock Printing Furniture Lighting

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Hansel and Gretel

September 5, 1996 By Mike Lyon

“Hansel & Gretel”, 1996, 15 x 11 inches,  color woodcut – two examples, the second a later state with added imagery and design.

Filed Under: Woodblock Tagged With: Color Woodcut, Hansel and Gretel

The Fisherman and his Wife

July 4, 1996 By Mike Lyon

This was  my first ‘traditional’ multi-block Japanese woodblock print.  It was made during a two week workshop taught by Hiroki Morinoue at Anderson Ranch Arts Center in Snowmass, Colorado.  That was a life-changing experience — VERY stimulating — and launched me into a whole new world of moku-hanga (traditional Japanese woodblock printmaking)!  WOW!  Total immersion […]

Filed Under: Woodblock Tagged With: Anderson Ranch Arts Center, Blue Pigment, Cadmium, Carbon Black, Color Scheme, Dry Pigment, Fairy Tale, Fisherman And His Wife, Hiroshige, Hosho, Iwano Ichibei Paper, Japanese woodblock print, Japanese Woodblock Prints, Key Block, Living National Treasure, Moku-Hanga, National Treasure, Prussian Blue, Snowmass Colorado, Total Immersion, Vertical Grain, Woodblock Print, Woodblock Printmaking, Woodcut, Yellow Pigment

Dog Dream reduction woodcut

June 30, 1996 By Mike Lyon

My original drawing was done very quickly in pencil, then color was indicated using colored pencil. All colored areas in the prints were printed from a single block printed and reduced by carving through many printings.  First the areas to remain white were removed by carving the block. then the block was printed in pale […]

Filed Under: Woodblock Tagged With: Colored Pencil, Dog Drawing, Ink, Prints, Variations

37 dogs

May 28, 1996 By Mike Lyon

Filed Under: Lithography

64 embedded self-portraits

May 28, 1996 By Mike Lyon

Here was an experiment to see if I could juggle the big image made of smaller images made of smaller images. The small self-portraits are made of 25 pieces, each of which can carry any of 5 values of lightness or darkness. This was the practice piece for the big self portrait you’re about to see…

Filed Under: Lithography Tagged With: Embedded, Self Portrait, Self Portraits

1996 woodcuts

April 29, 1996 By Mike Lyon

Early in 1996, for reasons I still don’t understand, really, I became fascinated by Japanese woodblock printmaking technique.  In January, I registered for a two week long workshop to be taught by Hiroki Morinoue at Anderson Ranch Arts Center in Snowmass, Colorado — but I was wait-listed and didn’t know until shortly before the workshop […]

Filed Under: Woodblock Tagged With: Anderson Ranch Arts Center, Moku-Hanga, Pigments, Pin Registration, Printmaking Technique, Registration System, Snowmass Colorado, Watercolor Brushes, Wood Blocks, Woodblock Print, Woodblock Printmaking, Woodcut

Traffic (tiled relief print)

June 6, 1995 By Mike Lyon

These prints were produced using a set of identical plexi-glass cubes which I machined out of 1/2″ plexi bar stock. I routed a 1/8″ groove in one side, a 1/4″ groove in another side, and a 3/8″ groove in a third side of each long bar. Then I sliced the bars into 1/2″ long cubes using a […]

Filed Under: Woodblock Tagged With: Bar Stock, Glass Cubes, Grid, Groove, Plexi Glass, Portfolio, Prints, Spiral, Squares, Traffic

6,401 self portraits

May 28, 1995 By Mike Lyon

The image was lifted from a 1988 photo-ID. The title is derived from the number of self-portrait images used to make the image of me, plus 1 for the complete image itself. Since the image lives in a space 40 cells high by 40 cells wide, it’s 40 x 40 = 1600 cells in the image. Each of […]

Filed Under: Lithography Tagged With: Black And White, Ink, Portrait Images, Rectangle, Self Portrait, Self Portraits

Dog Daze and Night Vision

May 28, 1995 By Mike Lyon

Filed Under: Lithography Tagged With: Dog Vision, Night Vision

Early Television

May 28, 1995 By Mike Lyon

Filed Under: Lithography

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  • Beach Museum Catalog
  • Grabado y Edicion No 36
  • Kansas City Collection
  • Kemper Museum Catalog
  • Kyoto Catalog
  • Mike Lyon CV
  • Post Digital Printmaking (Chapter 10)
  • Technical Development

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