Until the early 1990's I practiced the eye-hand coordination required to draw and paint visually (paint what you see). Then I became intensely curious about how image was communicated through the marks I made. I began employing automated procedures and, eventually, electromechanical tools, many of my own design and construction. I continue to be fascinated by marks and mark-making, pattern, aesthetics, the past, and the location of meaning. My recent work is typically produced using traditional tools manipulated by non-traditional means. I’ve designed and built numerous computer-controlled jigs which hold pencils, pens, brushes, airbrushes, flow-pens, etc all moved and actuated via tens of millions of lines of instructions which are generated by computer programs I’ve … (read more...)
